Creative resources

Creative resources

4 min read time

5 expert tips for successful remote color grading sessions

Kate Brunotts

8/20/24

Creative resources

4 min read time

How to design a remote workflow around Avid Media Composer

Kate Brunotts

8/20/24

Creative resources

3 min read time

How to use Zoom Rooms + NDI (Plus a better alternative)

Kate Brunotts

8/20/24

Creative resources

4 min read time

How to use NDI for streaming (plus a better alternative)

Kate Brunotts

8/20/24

Creative resources

6 min read time

The 6 best previs software to support your next project

Kate Brunotts

8/20/24

Creative resources

4 min read time

How the Apple Vision Pro could change video editing forever

Kate Brunotts

8/20/24

Creative resources

6 min read time

Evercast vs. Louper: A head-to-head comparison for 2024

Kate Brunotts

8/20/24

Creative resources

8 min read time

5 best Streambox alternatives for creative teams in 2024

Kate Brunotts

8/20/24

Creative resources

6 min read time

7 best remote music collaboration software platforms of 2024

Kate Brunotts

8/20/24

Creative resources

6 min read time

AVID Media Composer vs. DaVinci Resolve: Comparison for 2024

Kate Brunotts

8/20/24

Creative resources

3 min read time

How to use OBS with Zoom (Plus a better alternative)

Kate Brunotts

8/20/24

Creative resources

7 min read time

The 7 best SyncSketch alternatives for 2024

Kate Brunotts

8/20/24

Creative resources

6 min read time

6 software that let you edit video in 7.1 surround sound

Kate Brunotts

8/20/24

Creative resources

5 min read time

5 Software That Let You Edit Video in 5.1 Surround Sound

Kate Brunotts

8/20/24

Creative resources

5 min read time

The 6 best virtual production software platforms of 2024

Kate Brunotts

8/20/24

Creative resources

4 min read time

Can game developers use cineSync for their workflows?

Kate Brunotts

8/20/24

Creative resources

6 min read time

The 8 best post-production management software for 2024

Kate Brunotts

8/20/24

Creative resources

4 min read time

How to collaborate in Autodesk Maya

Kate Brunotts

8/20/24

Creative resources

5 min read time

Comparing Audiomovers vs. Source-Connect for audio collaboration

Kate Brunotts

8/20/24

Creative resources

4 min read time

75+ essential Maya shortcuts: your 3D cheat sheet

Kate Brunotts

8/20/24

Creative resources

8 min read time

How to create a highly productive music production workflow

Kate Brunotts

8/20/24

Creative resources

6 min read time

AVID Media Composer vs. DaVinci Resolve: Comparison for 2024

Kate Brunotts

8/20/24

Case studies

5 min read time

Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

Jessica Cyrell

8/20/24

Creative resources

3 min read time

How to use OBS with Zoom (Plus a better alternative)

Kate Brunotts

8/20/24

Creative resources

7 min read time

The 7 best SyncSketch alternatives for 2024

Kate Brunotts

8/20/24

Creative resources

6 min read time

6 software that let you edit video in 7.1 surround sound

Kate Brunotts

8/20/24

Creative resources

5 min read time

5 Software That Let You Edit Video in 5.1 Surround Sound

Kate Brunotts

8/20/24

Creative resources

5 min read time

The 6 best virtual production software platforms of 2024

Kate Brunotts

8/20/24

Creative resources

4 min read time

Can game developers use cineSync for their workflows?

Kate Brunotts

8/20/24

Creative resources

6 min read time

The 8 best post-production management software for 2024

Kate Brunotts

8/20/24

Creative resources

4 min read time

How to collaborate in Autodesk Maya

Kate Brunotts

8/20/24

Creative resources

5 min read time

Comparing Audiomovers vs. Source-Connect for audio collaboration

Kate Brunotts

8/20/24

Talks

32 min watch time

IEEE Real-Time Communications Conference 2023: A Demand-Aware Adaptive Streaming Strategy (Chicago, USA)

David Diaz

8/20/24

Talks

30 min. watch time

IEEE Real-Time Communications Conference 2023: WebRTC for collaborative content creation (Chicago, USA)

Damien Stolarz

8/20/24

Creative resources

4 min read time

75+ essential Maya shortcuts: your 3D cheat sheet

Kate Brunotts

8/20/24

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

8/20/24

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

8/20/24

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

8/20/24

Talks

52 min. watch time

Production Summit 2023: Global Objects Digital Backlots Showcase (Los Angeles, USA)

Damien Stolarz

8/20/24

Talks

61 min. watch time

Production Summit 2023: Democratizing Virtual Production (Los Angeles, USA)

Tommy Snyder

8/20/24

Talks

49 min. watch time

Production Summit 2023: Everything, Everywhere, All At Once, In Real Time (Los Angeles, USA)

JP Castel

8/20/24

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

8/20/24

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

8/20/24

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

8/20/24

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

8/20/24

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

8/20/24

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

8/20/24

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

8/20/24

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

8/20/24

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

8/20/24

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

8/20/24

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

8/20/24

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

8/20/24

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

8/20/24

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

8/20/24

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

8/20/24

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

8/20/24

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

8/20/24

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

8/20/24

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

8/20/24

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

8/20/24

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

8/20/24

Case studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

8/20/24

Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

8/20/24

Stories

3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

Filipe Coutinho

8/20/24

Evercast news

5 min read time

The importance of color fidelity in collaborative post-production finishing

Evercast Team

8/20/24

Creative resources

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