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Creative resources

Creative resources

5 min read time

What is “remote mixing” and what tools are making it possible?

Evelyn Trainor-Fogleman

1/20/25

Creative resources

7 min read time

4 challenges of a remote recording studio (plus tool tips)

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

What is remote production and its common challenges?

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

Remote video production: Overcoming the top 4 challenges

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

How to easily freeze frame in DaVinci Resolve

Evelyn Trainor-Fogleman

1/20/25

Creative resources

8 min read time

15 resources & tutorials for color grading in DaVinci Resolve

Evelyn Trainor-Fogleman

1/20/25

Creative resources

8 min read time

Does DaVinci Resolve keep crashing? Try these potential solutions

Evelyn Trainor-Fogleman

1/20/25

Creative resources

4 min read time

How to easily fade clips to black in DaVinci Resolve

Evelyn Trainor-Fogleman

1/20/25

Creative resources

9 min read time

20 sound design tips and tricks to improve the quality of your next project

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

How to grab stills and export them in DaVinci Resolve

Evelyn Trainor-Fogleman

1/20/25

Creative resources

4 min 30 sec read time

How to use slow motion effects in Davinci Resolve

Evelyn Trainor-Fogleman

1/20/25

Creative resources

4 min read time

How to export videos from DaVinci Resolve

Evelyn Trainor-Fogleman

1/20/25

Creative resources

6 min read time

10 awesome DaVinci Resolve templates for your next project

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

How to edit a green screen in Davinci Resolve

Evelyn Trainor-Fogleman

1/20/25

Creative resources

6 min read time

10 DaVinci Resolve plugins you’ll wonder how you lived without

Evelyn Trainor-Fogleman

1/20/25

Creative resources

4 min read time

How to create a fade in Pro Tools (plus other FAQs)

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

A simple guide on how to nudge in Pro Tools

Evelyn Trainor-Fogleman

1/20/25

Creative resources

4 min read time

How to create and control a click track in Pro Tools

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

55 must-know Unreal Engine shortcuts: 2025 cheat sheet

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

60 must-know FL Studio shortcuts: 2025 cheat sheet

Evelyn Trainor-Fogleman

1/20/25

Creative resources

5 min read time

How to create and control a master fader track in Pro Tools

Evelyn Trainor-Fogleman

1/20/25

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

1/20/25

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Talks

52 min. watch time

Production Summit 2023: Global Objects Digital Backlots Showcase (Los Angeles, USA)

Damien Stolarz

1/20/25

Talks

49 min. watch time

Production Summit 2023: Everything, Everywhere, All At Once, In Real Time (Los Angeles, USA)

JP Castel

1/20/25

Talks

61 min. watch time

Production Summit 2023: Democratizing Virtual Production (Los Angeles, USA)

Tommy Snyder

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

1/20/25

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

1/20/25

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

1/20/25

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

1/20/25

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

1/20/25

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

1/20/25

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

1/20/25

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

1/20/25

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

1/20/25

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

1/20/25

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

1/20/25

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

1/20/25

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

1/20/25

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

1/20/25

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

1/20/25

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

1/20/25

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

1/20/25

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

1/20/25

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

1/20/25

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

1/20/25

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

1/20/25

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

1/20/25

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

1/20/25

Creative resources

Comparing the top low-latency video streaming protocols

Jonathan Powell

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How to live stream Unreal Engine without lag

Jonathan Powell

What you need for a home film editing studio (with examples)

Jonathan Powell

How to live stream Adobe After Effects without lag

Jonathan Powell

How to live stream Premiere Pro without lag

Kate Brunotts

How to live stream your editing software without lag

Kate Brunotts

How to stream Avid using NDI (plus a better alternative)

Kate Brunotts

Video streaming latency: What affects it & how to improve it

Kate Brunotts

A simple guide to ultra-low latency streaming (+ solutions)

Kate Brunotts

How to diagnose and fix latency when using NDI

Kate Brunotts

How to design a remote workflow around Avid Media Composer

Kate Brunotts

5 expert tips for successful remote color grading sessions

Kate Brunotts

How to use NDI for streaming (plus a better alternative)

Kate Brunotts

The 6 best previs software to support your next project

Kate Brunotts

How the Apple Vision Pro could change video editing forever

Kate Brunotts

Evercast vs. Louper: A head-to-head comparison for 2025

Kate Brunotts

7 best remote music collaboration software platforms of 2025

Kate Brunotts

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