Stories

Interviews

16 min read time

Rolling Rocks & Cheesesteaks: A chat with “Mare of Easttown" Editor, Amy E. Duddleston, ACE

Ben Mehlman

Interviews

7 min, 35 sec read time

John Lennon, Aerosmith, & mixing up their remote work: Jack Douglas & Jay Messina reflect on over 50 years in the record industry

Emilee Lindner

Case studies

8 min read time

Oceans apart: how a pandemic couldn’t stop James Bond

Ben Mehlman

Features

7 min read time

Fantasizing Vicariously: how tabletop role-playing games went virtual

Jacob Rubin

Essay

11 min read time

Burnout is a real problem, but it doesn't have to be

Filipe Coutinho

Tech talk

5 min read time

Building a cloud infrastructure from the ground up

Evercast Team

Tech talk

3 min read time

Why cloud-native, you ask?

Evercast Team

Tips & tricks

10 min read time

We’re heading back to the office. Now what?

Filipe Coutinho

Evercast news

30 sec read time

Evercast makes variety's inaugural list of "10 innovators to watch"

Evercast Team

Interviews

10 min read time

From commercials to 'Crank Yankers': Peter Daucsavage’s journey as an editor

Ben Mehlman

Tech talk

4 min read time

How to pull off the full rebuild of a remote collaboration platform at the peak of work-from-home

Evercast Team

Tips & tricks

7 min, 30 sec read time

We're all talking, but are we communicating?

Filipe Coutinho

Tips & tricks

5 min read time

How to be a mindful collaborator

Ben Mehlman

Tips & tricks

5 min read time

Work life balance when you work from home

Ben Mehlman

Tips & tricks

4 min read time

6 must-follow filmmakers on TikTok (and what you can learn from them)

Emilee Lindner

Evercast news

2 min read time

Cobra Kai editor Zack Arnold, ACE reviews the new Evercast

Jessica Cyrell

Tips & tricks

4 min read time

Script pitching in a remote world

Ben Mehlman

Evercast news

10 min read time

Making Room: How Evercast’s rebrand came to be

Jessica Cyrell

Tips & tricks

6 min read time

10 filmmaking podcasts that are must-listens for industry pros

Jessica Cyrell

Stories

8 min read time

Working remotely holds the key to a successful media and entertainment industry - and SaaS will drive the shift

Jessica Cyrell

Stories

2 min read time

Evercast co-founder Roger Barton shares industry outlook with Post Magazine

Jessica Cyrell

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

Stories

Creative resources

Comparing the top low-latency video streaming protocols

Stories

The perks of virtual auditions: a casting director’s take

Somewhere over the rainbow: a look at color in recent films

The man in the ascot: a tribute to Peter Bogdanovich

Working remotely holds the key to a successful media and entertainment industry - and SaaS will drive the shift

Evercast co-founder Roger Barton shares industry outlook with Post Magazine

Created with Evercast: Adidas “Dame Time” with Damian Lillard

Remote Sound Mixing: How The Pros Are Making it Work in 2020

Can TV & film production resume safely amid a spike in Covid-19 cases?

Reinventing the self-tape: how remote TV & film casting is evolving for casting pros

Rolling Rocks & Cheesesteaks: A chat with “Mare of Easttown" Editor, Amy E. Duddleston, ACE

John Lennon, Aerosmith, & mixing up their remote work: Jack Douglas & Jay Messina reflect on over 50 years in the record industry

Oceans apart: how a pandemic couldn’t stop James Bond

Fantasizing Vicariously: how tabletop role-playing games went virtual

Burnout is a real problem, but it doesn't have to be

Building a cloud infrastructure from the ground up

Why cloud-native, you ask?

We’re heading back to the office. Now what?

Evercast makes variety's inaugural list of "10 innovators to watch"

From commercials to 'Crank Yankers': Peter Daucsavage’s journey as an editor

How to pull off the full rebuild of a remote collaboration platform at the peak of work-from-home

We're all talking, but are we communicating?

How to be a mindful collaborator

Work life balance when you work from home

6 must-follow filmmakers on TikTok (and what you can learn from them)

Cobra Kai editor Zack Arnold, ACE reviews the new Evercast

Script pitching in a remote world

Making Room: How Evercast’s rebrand came to be

10 filmmaking podcasts that are must-listens for industry pros

Working remotely holds the key to a successful media and entertainment industry - and SaaS will drive the shift

Evercast co-founder Roger Barton shares industry outlook with Post Magazine

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

How to build the most effective creative team

The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Four things we’ve learned after working remotely in the last two years

The Do’s & Don'ts of Video Conferencing

Somewhere over the rainbow: a look at color in recent films

A call to action: an interview with documentarian Nicholas Mihm

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

The impact of Black musicians on film and television

Editing brave new worlds with David Fisher, ACE, BFE

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

A look through the prism of colorist Loren White’s journey

Creative resources

Comparing the top low-latency video streaming protocols

Subscribe to get our best content in your inbox

How to live stream Unreal Engine without lag

What you need for a home film editing studio (with examples)

How to live stream Adobe After Effects without lag

How to live stream Premiere Pro without lag

How to live stream your editing software without lag

How to stream Avid using NDI (plus a better alternative)

Video streaming latency: What affects it & how to improve it

A simple guide to ultra-low latency streaming (+ solutions)

How to diagnose and fix latency when using NDI

How to design a remote workflow around Avid Media Composer

5 expert tips for successful remote color grading sessions

How to use NDI for streaming (plus a better alternative)

The 6 best previs software to support your next project

How the Apple Vision Pro could change video editing forever

Evercast vs. Louper: A head-to-head comparison for 2025

7 best remote music collaboration software platforms of 2025