Stories

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

Talks

52 min. watch time

Production Summit 2023: Global Objects Digital Backlots Showcase (Los Angeles, USA)

Damien Stolarz

Talks

49 min. watch time

Production Summit 2023: Everything, Everywhere, All At Once, In Real Time (Los Angeles, USA)

JP Castel

Talks

61 min. watch time

Production Summit 2023: Democratizing Virtual Production (Los Angeles, USA)

Tommy Snyder

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

Stories

Creative resources

Comparing the top low-latency video streaming protocols

Stories

The perks of virtual auditions: a casting director’s take

Somewhere over the rainbow: a look at color in recent films

The man in the ascot: a tribute to Peter Bogdanovich

Working remotely holds the key to a successful media and entertainment industry - and SaaS will drive the shift

Evercast co-founder Roger Barton shares industry outlook with Post Magazine

Created with Evercast: Adidas “Dame Time” with Damian Lillard

Remote Sound Mixing: How The Pros Are Making it Work in 2020

Can TV & film production resume safely amid a spike in Covid-19 cases?

Reinventing the self-tape: how remote TV & film casting is evolving for casting pros

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Production Summit 2023: Global Objects Digital Backlots Showcase (Los Angeles, USA)

Production Summit 2023: Everything, Everywhere, All At Once, In Real Time (Los Angeles, USA)

Production Summit 2023: Democratizing Virtual Production (Los Angeles, USA)

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

How to build the most effective creative team

The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Four things we’ve learned after working remotely in the last two years

The Do’s & Don'ts of Video Conferencing

Somewhere over the rainbow: a look at color in recent films

A call to action: an interview with documentarian Nicholas Mihm

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Well Versed with Mark Hartzell, ACE

The Last of Us: surviving and thriving in (post apocalypse) post production

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

How to build the most effective creative team

The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Four things we’ve learned after working remotely in the last two years

The Do’s & Don'ts of Video Conferencing

Somewhere over the rainbow: a look at color in recent films

A call to action: an interview with documentarian Nicholas Mihm

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

The impact of Black musicians on film and television

Editing brave new worlds with David Fisher, ACE, BFE

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

A look through the prism of colorist Loren White’s journey

Creative resources

Comparing the top low-latency video streaming protocols

Subscribe to get our best content in your inbox

How to live stream Unreal Engine without lag

What you need for a home film editing studio (with examples)

How to live stream Adobe After Effects without lag

How to live stream Premiere Pro without lag

How to live stream your editing software without lag

How to stream Avid using NDI (plus a better alternative)

Video streaming latency: What affects it & how to improve it

A simple guide to ultra-low latency streaming (+ solutions)

How to diagnose and fix latency when using NDI

How to design a remote workflow around Avid Media Composer

5 expert tips for successful remote color grading sessions

How to use NDI for streaming (plus a better alternative)

The 6 best previs software to support your next project

How the Apple Vision Pro could change video editing forever

Evercast vs. Louper: A head-to-head comparison for 2025

7 best remote music collaboration software platforms of 2025