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11 min read time

The do-it-yourself extraordinaire: artist-animator Anthony Blue Jr. on seizing creative opportunity

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Video’s new home: It’s time to start taking social seriously

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Unplayable history: the state of video game preservation

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10 min read time

Art and performance: what it takes to be a Disney animator

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The many collaborators of Paul Thomas Anderson

Ben Mehlman

Features

8 min, 32 sec read time

Great animators throughout time

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5 min read time

The importance of color fidelity in collaborative post-production finishing

Evercast Team

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3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

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Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

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2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

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13 min read time

Sound as a science: mixing music with Alex Pavone

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15 min read time

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Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

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Features

4 min read time

The impact of Black musicians on film and television

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10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

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Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

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Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

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Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

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Interviews

5 min read time

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Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

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Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

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Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

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Interviews

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3 min read time

Four things we’ve learned after working remotely in the last two years

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6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

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Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

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3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

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Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

Features

5 min, 30 sec read time

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Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

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13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

Case studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

Features

4 min read time

Virtual reality takes a front seat across industries

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3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

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Veteran sound mixer Jonathan Wales reveals the tiny film details no one realizes

Video’s new home: It’s time to start taking social seriously

Unplayable history: the state of video game preservation

Streaming: America’s open door to foreign entertainment

Art and performance: what it takes to be a Disney animator

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The importance of color fidelity in collaborative post-production finishing

The man in the ascot: a tribute to Peter Bogdanovich

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Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

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Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

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3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

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Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

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The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

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Somewhere over the rainbow: a look at color in recent films

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Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

The impact of Black musicians on film and television

Editing brave new worlds with David Fisher, ACE, BFE

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

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The man in the ascot: a tribute to Peter Bogdanovich

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