Stories

Interviews

11 min read time

The do-it-yourself extraordinaire: artist-animator Anthony Blue Jr. on seizing creative opportunity

Cortnie Vee

Interviews

7 min read time

Veteran sound mixer Jonathan Wales reveals the tiny film details no one realizes

Emilee Lindner

Features

6 min read time

Video’s new home: It’s time to start taking social seriously

Abby Zamis

Features

5 min read time

Unplayable history: the state of video game preservation

Filipe Coutinho

Features

5 min read time

Streaming: America’s open door to foreign entertainment

Abby Zamis

Interviews

10 min read time

Art and performance: what it takes to be a Disney animator

Filipe Coutinho

Features

5 min read time

The many collaborators of Paul Thomas Anderson

Ben Mehlman

Features

8 min, 32 sec read time

Great animators throughout time

Filipe Coutinho

Evercast news

5 min read time

The importance of color fidelity in collaborative post-production finishing

Evercast Team

Stories

3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

Filipe Coutinho

Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

Case studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

Case studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

Stories

3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

Filipe Coutinho

Stories

Creative resources

How to live stream Unreal Engine without lag

Stories

Reinventing the self-tape: how remote TV & film casting is evolving for casting pros

Can TV & film production resume safely amid a spike in Covid-19 cases?

Remote Sound Mixing: How The Pros Are Making it Work in 2020

Created with Evercast: Adidas “Dame Time” with Damian Lillard

Evercast co-founder Roger Barton shares industry outlook with Post Magazine

Working remotely holds the key to a successful media and entertainment industry - and SaaS will drive the shift

The man in the ascot: a tribute to Peter Bogdanovich

Somewhere over the rainbow: a look at color in recent films

The perks of virtual auditions: a casting director’s take

The do-it-yourself extraordinaire: artist-animator Anthony Blue Jr. on seizing creative opportunity

Veteran sound mixer Jonathan Wales reveals the tiny film details no one realizes

Video’s new home: It’s time to start taking social seriously

Unplayable history: the state of video game preservation

Streaming: America’s open door to foreign entertainment

Art and performance: what it takes to be a Disney animator

The many collaborators of Paul Thomas Anderson

Great animators throughout time

The importance of color fidelity in collaborative post-production finishing

The man in the ascot: a tribute to Peter Bogdanovich

Virtual reality takes a front seat across industries

How Q Department and Mach1 teamed up with Evercast to change post production sound

Sound as a science: mixing music with Alex Pavone

A look through the prism of colorist Loren White’s journey

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Editing brave new worlds with David Fisher, ACE, BFE

The impact of Black musicians on film and television

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

A call to action: an interview with documentarian Nicholas Mihm

Somewhere over the rainbow: a look at color in recent films

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

The Guardians of Justice series gets a superhuman boost from Evercast

Cutting Everything Everywhere All at Once, the film and the undertaking

Going out with a bang: Ozark’s post team on the show’s final season

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

How to build the most effective creative team

The perks of virtual auditions: a casting director’s take

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Four things we’ve learned after working remotely in the last two years

The Do’s & Don'ts of Video Conferencing

Somewhere over the rainbow: a look at color in recent films

A call to action: an interview with documentarian Nicholas Mihm

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

The impact of Black musicians on film and television

Editing brave new worlds with David Fisher, ACE, BFE

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

A look through the prism of colorist Loren White’s journey

Sound as a science: mixing music with Alex Pavone

How Q Department and Mach1 teamed up with Evercast to change post production sound

Virtual reality takes a front seat across industries

The man in the ascot: a tribute to Peter Bogdanovich

Creative resources

How to live stream Unreal Engine without lag

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