Creative resources

Creative resources

8 min read time

Avid Pro Tools vs REAPER: Head-to-head showdown for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

7 min read time

How to stream Final Cut Pro X over Zoom without lag

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

Avid Pro Tools vs Logic Pro X: Head-to-head showdown for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

Avid Pro Tools Vs. FL Studio: Head-to-head showdown for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

Avid Pro Tools Vs. Ableton: Head-to-head comparison for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

10 min read time

Top 15 video production tools for professionals [2024 edition]

Evelyn Trainor-Fogleman

8/20/24

Creative resources

9 min read time

DaVinci Resolve vs Premiere Pro: 2024 Head-to-head showdown

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

DaVinci Resolve vs Adobe After Effects: 2024 comparison

Evelyn Trainor-Fogleman

8/20/24

Creative resources

13 min read time

How the pros set up a streamlined video production workflow

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

Nuke vs Adobe After Effects: Head-to-head showdown for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

Blender vs Adobe After Effects: 2024 Head-to-head showdown

Evelyn Trainor-Fogleman

8/20/24

Creative resources

5 min read time

How to loop an audio clip in pro tools: a simple tutorial

Evelyn Trainor-Fogleman

8/20/24

Creative resources

6 min read time

The top 10 collaborative audio editing tools for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

7 min read time

REAPER vs FL Studio: A Head-to-head comparison for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

REAPER vs Ableton Live: A Head-to-head comparison for 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

5 min read time

How to add plugins in pro tools (and 5 places to find them)

Evelyn Trainor-Fogleman

8/20/24

Creative resources

4 min read time

How to change the sample rate in pro tools: simple tutorial

Evelyn Trainor-Fogleman

8/20/24

Creative resources

5 min read time

How to record audio in pro tools: a step by step guide

Evelyn Trainor-Fogleman

8/20/24

Creative resources

7 min read time

10 awesome Pro Tools templates for your next project

Evelyn Trainor-Fogleman

8/20/24

Creative resources

7 min read time

How to stream Logic Pro X over Zoom

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

Top 10 video workflow software for 2024

Evelyn Trainor-Fogleman

8/20/24

Evercast news

5 min read time

The importance of color fidelity in collaborative post-production finishing

Evercast Team

8/20/24

Stories

3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

Filipe Coutinho

8/20/24

Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

8/20/24

Creative resources

5 min read time

How to collaborate in Unity [2024 guide]

Evelyn Trainor-Fogleman

8/20/24

Creative resources

6 min read time

5 tips to ensure your remote casting call is successful

Evelyn Trainor-Fogleman

8/20/24

Creative resources

5 min read time

How to collaborate in Unreal Engine [2024 guide]

Evelyn Trainor-Fogleman

8/20/24

Case studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

8/20/24

Creative resources

5 min read time

How to collaborate in Avid Pro Tools [2024 guide]

Evelyn Trainor-Fogleman

8/20/24

Creative resources

5 min read time

How to collaborate in REAPER [2024 guide]

Evelyn Trainor-Fogleman

8/20/24

Creative resources

5 min read time

How to collaborate in Avid Media Composer [2024 guide]

Evelyn Trainor-Fogleman

8/20/24

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

8/20/24

Creative resources

6 min read time

Remote ADR: tips and tools to get the perfect take

Evelyn Trainor-Fogleman

8/20/24

Creative resources

7 min read time

The Top 10 Remote Review and Approval Tools of 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

6 min read time

4 common challenges of remote animation post-production

Evelyn Trainor-Fogleman

8/20/24

Creative resources

7 min read time

11 tools helping teams do previsualization completely remote

Evelyn Trainor-Fogleman

8/20/24

Creative resources

5 min read time

How to collaborate in Adobe After Effects [2024 guide]

Evelyn Trainor-Fogleman

9/18/24

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

8/20/24

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

8/20/24

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

8/20/24

Creative resources

8 min read time

The top 10 collaborative game editing tools of 2024

Evelyn Trainor-Fogleman

8/20/24

Creative resources

8 min read time

Comparing Source Connect vs. ISDN for audio collaboration

Evelyn Trainor-Fogleman

10/18/24

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

8/20/24

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

8/20/24

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

8/20/24

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

8/20/24

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

8/20/24

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

8/20/24

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

8/20/24

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

8/20/24

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

8/20/24

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

8/20/24

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

8/20/24

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

8/20/24

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

8/20/24

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

8/20/24

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

8/20/24

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

8/20/24

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

8/20/24

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

8/20/24

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

8/20/24

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

8/20/24

Case studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

8/20/24

Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

8/20/24

Stories

3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

Filipe Coutinho

8/20/24

Evercast news

5 min read time

The importance of color fidelity in collaborative post-production finishing

Evercast Team

8/20/24

Creative resources

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