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Reviews

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Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Talks

52 min. watch time

Production Summit 2023: Global Objects Digital Backlots Showcase (Los Angeles, USA)

Damien Stolarz

1/20/25

Talks

49 min. watch time

Production Summit 2023: Everything, Everywhere, All At Once, In Real Time (Los Angeles, USA)

JP Castel

1/20/25

Talks

61 min. watch time

Production Summit 2023: Democratizing Virtual Production (Los Angeles, USA)

Tommy Snyder

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

1/20/25

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

1/20/25

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

1/20/25

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

1/20/25

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

1/20/25

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

1/20/25

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

1/20/25

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

1/20/25

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

1/20/25

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

1/20/25

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

1/20/25

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

1/20/25

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

1/20/25

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

1/20/25

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

1/20/25

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

1/20/25

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

1/20/25

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

1/20/25

Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

1/20/25

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

1/20/25

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

1/20/25

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

1/20/25

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

1/20/25

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

1/20/25

Creative resources

Comparing the top low-latency video streaming protocols

Jonathan Powell

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