Interviews

Interviews

6 min read time

Navigating waves of sound, evolving tech, and ever learning

Jessica Cyrell

9/4/24

Interviews

3 min read time

Well Versed with Stephanie Filo, ACE

Jessica Cyrell

8/23/24

Interviews

2 min read time

Well Versed with Aaron I. Butler, ACE

Jessica Cyrell

8/20/24

Interviews

4 min read time

Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

8/20/24

Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

8/20/24

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

8/20/24

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

8/20/24

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

8/20/24

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

8/20/24

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

8/20/24

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

8/20/24

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

8/20/24

Interviews

10 min read time

From commercials to 'Crank Yankers': Peter Daucsavage’s journey as an editor

Ben Mehlman

8/20/24

Interviews

7 min, 35 sec read time

John Lennon, Aerosmith, & mixing up their remote work: Jack Douglas & Jay Messina reflect on over 50 years in the record industry

Emilee Lindner

8/20/24

Interviews

16 min read time

Rolling Rocks & Cheesesteaks: A chat with “Mare of Easttown" Editor, Amy E. Duddleston, ACE

Ben Mehlman

8/20/24

Interviews

15 min read time

From studying devised theater in South Africa to HBO Max’s “The Flight Attendant”: Louisa Levy’s journey as a writer/producer

Ben Mehlman

8/20/24

Interviews

19 min read time

Peter Sciberras on power dynamics, second watches, and everything else that went into making “The Power of the Dog"

Ben Mehlman

8/20/24

Interviews

11 min read time

The do-it-yourself extraordinaire: artist-animator Anthony Blue Jr. on seizing creative opportunity

Cortnie Vee

8/20/24

Interviews

7 min read time

Veteran sound mixer Jonathan Wales reveals the tiny film details no one realizes

Emilee Lindner

8/20/24

Interviews

10 min read time

Art and performance: what it takes to be a Disney animator

Filipe Coutinho

8/20/24

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

8/20/24

Tips & Tricks

4 min read time

How to build the most effective creative team

Sophia Young

8/20/24

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

8/20/24

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

8/20/24

Tips & Tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

8/20/24

Tips & Tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

8/20/24

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

8/20/24

Interviews

14 min read time

A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

8/20/24

Interviews

3 min read time

Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

Cortnie Vee

8/20/24

Case Studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

8/20/24

Features

4 min read time

The impact of Black musicians on film and television

Christa Leah

8/20/24

Interviews

14 min read time

Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

8/20/24

Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

Filipe Coutinho

8/20/24

Interviews

15 min read time

A look through the prism of colorist Loren White’s journey

Ben Mehlman

8/20/24

Interviews

13 min read time

Sound as a science: mixing music with Alex Pavone

Filipe Coutinho

8/20/24

Case Studies

2 min read time

How Q Department and Mach1 teamed up with Evercast to change post production sound

Ben Mehlman

8/20/24

Features

4 min read time

Virtual reality takes a front seat across industries

Jasmine Philippe

8/20/24

Stories

3 min read time

The man in the ascot: a tribute to Peter Bogdanovich

Filipe Coutinho

8/20/24

Evercast News

5 min read time

The importance of color fidelity in collaborative post-production finishing

Evercast Team

8/20/24

Features

8 min, 32 sec read time

Great animators throughout time

Filipe Coutinho

8/20/24

Features

5 min read time

The many collaborators of Paul Thomas Anderson

Ben Mehlman

8/20/24

Interviews

10 min read time

Art and performance: what it takes to be a Disney animator

Filipe Coutinho

8/20/24

Features

5 min read time

Streaming: America’s open door to foreign entertainment

Abby Zamis

8/20/24

Features

5 min read time

Unplayable history: the state of video game preservation

Filipe Coutinho

8/20/24

Features

6 min read time

Video’s new home: It’s time to start taking social seriously

Abby Zamis

8/20/24

Creative resources

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