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BY workflow
Live camera streamingLocation scoutingEditorialColor gradingVirtual productionSound designLive performanceDailiesMotion captureVisual effectsPlaytestingSee all
core features
Video conferencingStream in 4KColor accuracySurround soundCreative toolsSecurity24/7 Support
premium features
App ShareForensic watermarkingTheater modeProfessional services
integrations
Frame.io
Box
Adobe Premiere Pro
DaVinCi Resolve
See all
Blog
NewsCase studiesInterviews
press & awards
AwardsPress highlightsPress releases
Support
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Case studies

Case studies

4 min read time

Flawless collaboration on Spotify, Liquid Death, and other winning campaigns

Jessica Cyrell

1/20/25

Case studies

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Powering collaboration on draftLine’s Hertog Jan Vatgerijpt campaign

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Case studies

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Making games off the ground: how Serenity Forge thrives as a hybrid game studio

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How Q Department and Mach1 teamed up with Evercast to change post production sound

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Case studies

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Leslie Schefman’s remote sound design adds the "bigness" to sleek car ads

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Case studies

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Oceans apart: how a pandemic couldn’t stop James Bond

Ben Mehlman

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Interviews

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Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

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Interviews

6 min read time

Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

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Talks

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Production Summit 2023: Global Objects Digital Backlots Showcase (Los Angeles, USA)

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1/20/25

Talks

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Production Summit 2023: Everything, Everywhere, All At Once, In Real Time (Los Angeles, USA)

JP Castel

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Talks

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Production Summit 2023: Democratizing Virtual Production (Los Angeles, USA)

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Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

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Evercast news

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3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

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The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

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Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

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Interviews

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Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

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Interviews

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With your heart on your sleeve: the Editing team of Euphoria on Season 2

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Interviews

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Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

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Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

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Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

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Four things we’ve learned after working remotely in the last two years

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Tips & tricks

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The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

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Stories

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Somewhere over the rainbow: a look at color in recent films

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Interviews

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A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

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Interviews

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Eddie Hamilton, ACE, on cutting Mission: Impossible and the value of the “real thing”

Jessica Cyrell

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Interviews

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Weird Sound: A Q&A with the re-recording mixer behind Weird: The Al Yankovic Story

Jessica Cyrell

1/20/25

Interviews

3 min read time

Well Versed with Mark Hartzell, ACE

Jessica Cyrell

1/20/25

Interviews

3 min read time

The Last of Us: surviving and thriving in (post apocalypse) post production

Jessica Cyrell

1/20/25

Evercast news

2 min read time

3.0 is here: Welcome to a world of seamless collaboration and pixel-perfect streaming

Tommy Snyder

1/20/25

Interviews

3 min read time

The Guardians of Justice series gets a superhuman boost from Evercast

Jessica Cyrell

1/20/25

Interviews

Cutting Everything Everywhere All at Once, the film and the undertaking

Jessica Cyrell

1/20/25

Interviews

5 min read time

Going out with a bang: Ozark’s post team on the show’s final season

Ben Mehlman

1/20/25

Interviews

4 min read time

Eliminating the barriers of space & time: an interview with Evercast COO Damien Stolarz

Ben Mehlman

1/20/25

Interviews

10 min read time

With your heart on your sleeve: the Editing team of Euphoria on Season 2

Ben Mehlman

1/20/25

Interviews

5 min read timew

Full speed ahead: Elísabet Ronaldsdóttir on her career and editing tentpole films from all over the world

Ben Mehlman

1/20/25

Tips & tricks

4 min read time

How to build the most effective creative team

Sophia Young

1/20/25

Stories

The perks of virtual auditions: a casting director’s take

Leigh Ann Smith

1/20/25

Interviews

Playing by ear: Mari Keiko Gonzalez on her editing journey and cutting legendary moments in music

Jessica Cyrell

1/20/25

Tips & tricks

3 min read time

Four things we’ve learned after working remotely in the last two years

Rhianne Jimena

1/20/25

Tips & tricks

6 min read time

The Do’s & Don'ts of Video Conferencing

Filipe Coutinho

1/20/25

Stories

7 min read time

Somewhere over the rainbow: a look at color in recent films

Ben Mehlman

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Interviews

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A call to action: an interview with documentarian Nicholas Mihm

Ben Mehlman

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Interviews

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Making Black history: two film creatives on artistic labor, celebrated heritage, and homage to their predecessors

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Case studies

10 min read time

Making games off the ground: how Serenity Forge thrives as a hybrid game studio

Jessica Ho

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Features

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The impact of Black musicians on film and television

Christa Leah

1/20/25

Interviews

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Editing brave new worlds with David Fisher, ACE, BFE

Filipe Coutinho

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Features

5 min, 30 sec read time

Smash cut: a closer look at the ‘Best Editing’ Oscar nominees

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Interviews

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A look through the prism of colorist Loren White’s journey

Ben Mehlman

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Creative resources

Comparing the top low-latency video streaming protocols

Jonathan Powell

Read Article

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