Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Art of the Cut
Avatar: The Way of Water
American Murderer’s Director and Editor Talk Through Workflow
How 'Devotion' Editor Listens to His Gut Through the Action and the Drama
The Dropout: Emmy-Nominated Director Michael Showalter
ART OF THE CUT with Nicholas Monsour, the editor of "NOPE"
Behind the Title: Editor Sandra Montiel, ACE
Forbes
Netflix’s Super Giant Real Time Animation Allows For Discovery And Play
Director Antoine Fuqua on The Terminal List‘s Editing and VFX
Dopesick Showrunner Danny Strong on Post and Workflow
Blackmagic Design
Evercast Supports Remote Color Review with Blackmagic Design
The Wrap
‘Mank,’ ‘News of the World,’ ‘Sound of Metal’ Top Cinema Audio Society Nominations
Filmmaker Profile: Craig Brewer Reunites with Eddie Murphy for Coming 2 America
Optimize Yourself
Evercast vs. Zoom – Why the New Evercast Proves the Choice is Clear For Remote Collaboration [Evercast Review]
"YEARLY DEPARTED" EDITOR KELLY LYON ON WORKING REMOTELY & GREEN SCREEN-HEAVY PROCESS
Randi Altman’s Post Perspective
Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer
The Hollywood Reporter
Making of 'News of the World': How the Tom Hanks Western Is "Speaking to Now"
Phoenix Business Journal
Entrepreneur: Scottsdale tech company Evercast found its sweet spot amid pandemic
Observer
Karen Cinorre Knew Her Film ‘Mayday’ Had to Be a War of the Sexes
"Behind the Title: VFX Producer Roma O’Connor "
TV Technology
Taking the Hybrid Approach to Remote Post Production and Audio Design
Evercast, Capture Studios Team on Virtual Production
AV Magazine
Continuity and invention in a crisis
IBC
Grading and Audio Post In the Cloud
The Irish Times
All quiet on set: How do you make a TV drama in a crisis?
Variety
Post-Production Is Thriving Thanks to Technology; Will the Remote Workforce Grow After the Pandemic Subsides?
Animation Xpress
We Responded Early to Deal with COVID-19
Posting Michael Jordan's The Last Dance - before and during lockdown
Vulture
Michael Mann Is Talking to Directors, Wondering When They Can All Go Back to Work
Hecho Studios: Mobilizing talent and pipeline to keep working
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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