Read all the buzz about Evercast in the news.
postPerspective
The Holdovers Oscar-Nominated Kevin Tent Talks Editing Workflow
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Post Magazine
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Art of the Cut
Avatar: The Way of Water
American Murderer’s Director and Editor Talk Through Workflow
No Film School
How 'Devotion' Editor Listens to His Gut Through the Action and the Drama
The Dropout: Emmy-Nominated Director Michael Showalter
ART OF THE CUT with Nicholas Monsour, the editor of "NOPE"
Behind the Title: Editor Sandra Montiel, ACE
Forbes
Netflix’s Super Giant Real Time Animation Allows For Discovery And Play
Director Antoine Fuqua on The Terminal List‘s Editing and VFX
Dopesick Showrunner Danny Strong on Post and Workflow
Blackmagic Design
Evercast Supports Remote Color Review with Blackmagic Design
Indie Wire
CAS Sound Mixing Nominations Include ‘Sound of Metal,’ ‘Mank,’ ‘News of the World’
Craft Spotlight: Matt Kasmir on the VFX for George Clooney’s The Midnight Sky
Animation Magazine
Super-Powered and Sophisticated: Robert Kirkman’s ‘Invincible’ Hits Amazon Prime
The Hollywood Reporter
Sound of Metal' Tops CAS Sound Mixing Awards
CineMontage
Parenting, Post-Production and the Pandemic
Randi Altman’s Post Perspective
"Remote Editing: Evercast Intros App for iOS and Apple TV"
Advanced Imaging Society Announces Tech Award Recipients
Filmmakers Around the World Team on Cloud Production Test: "It's Part of Our Future"
Screen Rant
Evercast Co-Founder & Film Editor Roger Barton Interview
testset
Film: ‘Coming 2 America’ – Interview with Composer Jermaine Stegall
TV Technology
Taking the Hybrid Approach to Remote Post Production and Audio Design
Evercast, Capture Studios Team on Virtual Production
AV Magazine
Continuity and invention in a crisis
IBC
Grading and Audio Post In the Cloud
The Irish Times
All quiet on set: How do you make a TV drama in a crisis?
Variety
Post-Production Is Thriving Thanks to Technology; Will the Remote Workforce Grow After the Pandemic Subsides?
Animation Xpress
We Responded Early to Deal with COVID-19
Posting Michael Jordan's The Last Dance - before and during lockdown
Vulture
Michael Mann Is Talking to Directors, Wondering When They Can All Go Back to Work
Hecho Studios: Mobilizing talent and pipeline to keep working
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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