Read all the buzz about Evercast in the news.
postPerspective
The Holdovers Oscar-Nominated Kevin Tent Talks Editing Workflow
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Post Magazine
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Art of the Cut
Avatar: The Way of Water
American Murderer’s Director and Editor Talk Through Workflow
No Film School
How 'Devotion' Editor Listens to His Gut Through the Action and the Drama
The Dropout: Emmy-Nominated Director Michael Showalter
ART OF THE CUT with Nicholas Monsour, the editor of "NOPE"
Behind the Title: Editor Sandra Montiel, ACE
Forbes
Netflix’s Super Giant Real Time Animation Allows For Discovery And Play
Director Antoine Fuqua on The Terminal List‘s Editing and VFX
Dopesick Showrunner Danny Strong on Post and Workflow
Blackmagic Design
Evercast Supports Remote Color Review with Blackmagic Design
CineMontage
WHAT OUR MEMBERS DO: Kim Huston, Visual Effects Editor
Animation World Network
A Trio Bands Together to Help Denis Villeneuve Make ‘Dune’
Randi Altman’s Post Perspective
Editor Tom Eagles on Cutting "The Harder They Fall"
Website Planet
Evercast – Brings Your Creative Vision to Life
Annette Davey on editing Netflix's Maid
Benjamin Rodriguez Talks Editing Paul Schrader’s ‘The Card Counter’
EFFECTS ACCENT THE ACTION IN A PRE-BATMAN WORLD IN LONDON CREATED FOR PENNYWORTH
Broadcast Now UK
Post-production uncovered: Blazing Griffin, Goodbye Kansas, and Savalas on Vigil (BBC)
Entertainment Voice
Chris Pratt and Director Chris McKay on Tackling Time-Jumping Sci-Fi Action for ‘The Tomorrow War’
Cruella Editor Tatiana Riegel: Workflows During Covid
Outlook: Technology is redefining how we create
Computer Graphics World
Virtual Studio in the Cloud, Simplified
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Outlook: Keeping the humanity in a tech-driven post world
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Engineering Emmy Recipients Include 4 Companies For Addressing Issues Related To COVID-19
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
.png)
