Read all the buzz about Evercast in the news.
Post Magazine
HBO's Dune: Prophecy: Editors Amelia Allwarden & Anna Hauger
The Best Christmas Pageant Ever: Editor John Quinn, ACE
Little Black Book
Lucky Day – The Boutique Post House With a National Perspective and a Human Touch
Broadcast Now UK
Why I believe remote working is the future of post-production
Don't Move: Editor Josh Ethier, ACE, cuts Netflix's new horror feature
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Apple TV+'s Silo: Editor Keith Henderson
Shogun: Editors Maria Gonzales & Aika Miyake
Below the Line
A Small Light Editor Susan E. Kim On Experimenting and Handling Performances With Care
The Rough Cut
Mission: Impossible – Dead Reckoning Part 1
Brian Riordan, Phil DeTolve from Levels Audio on Mixing Bono and the Edge
Flamin’ Hot Director Eva Longoria, DP and Editor Talk Process
BleedingCool
HouseBroken AP Weston Jacoby Discusses Fox Series Development & More
Master Gardener Editor Benjamin Rodriguez Jr. on Working With a Rebel Like Paul Schrader
HPA Online
HPA NET Event Explores Trends in AI with Industry Experts
Content Delivery & Security Association
Convergent Risks Helps Evercast Achieve TPN Gold Shield for Cloud Security
National Association of Broadcasters
NAB Show Announces Winners of the 2023 Product of the Year Award
Camp Lucky Edits Toyota Motorsports Campaign Promoting Diversity
Art of the Cut
Avatar: The Way of Water
American Murderer’s Director and Editor Talk Through Workflow
How 'Devotion' Editor Listens to His Gut Through the Action and the Drama
The Dropout: Emmy-Nominated Director Michael Showalter
Behind the Title: Editor Sandra Montiel, ACE
ART OF THE CUT with Nicholas Monsour, the editor of "NOPE"
Forbes
Netflix’s Super Giant Real Time Animation Allows For Discovery And Play
Director Antoine Fuqua on The Terminal List‘s Editing and VFX
Dopesick Showrunner Danny Strong on Post and Workflow
Awards Focus
Editor Eric Litman’s Journey in to The Hot Zone: Anthrax
CineMontage
Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit
Cinema Express
Chris McKay: Always wanted to blend human drama and sci-fi like Spielberg
Script
Sitting Around the Campfire with 'Werewolves Within' Screenwriter Mishna Wolff and Director Josh Ruben
Randi Altman’s Post Perspective
The Stand Showrunner Ben Cavell, Plus Post and VFX Producers
Cruella Director Craig Gillespie Talks Post and Visual Effects
Contender Profile: Composer Trevor Gureckis’ Music for Servant Keeps the Viewer on Edge
Color Grading: Company 3 and Studio Feather
Visual Effects & Animation: Resident Alien and Raya
Heroes of the Lockdown
Detroit’s Hiatus Adds Editor Joe Kell
Outlook: Technology is redefining how we create
Outlook: Keeping the humanity in a tech-driven post world
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Computer Graphics World
Virtual Studio in the Cloud, Simplified
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Deadline
Engineering Emmys: Tech That Addressed Remote Production Among 2020 Winners
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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