Read all the buzz about Evercast in the news.
Variety
MovieLabs Launches Leadership Council with Leon Silverman as Chair
AwardsRadar.com
Interview: ‘Dope Thief’ Editor (and Philly Native) Eric Litman, ACE Can Attest to the New Series’ Authenticity
Scriptnotes
Scriptnotes, Episode 678: The On-Set Producer
Post Magazine
Editor Corey Frost makes jump from sports documentaries to scripted entertainment
postPerspective
A Complete Unknown Editors on Workflow and Collaboration
Apple TV on YouTube
Wicked Director Jon M. Chu Makes Movie Magic with Apple Vision Pro | Apple TV
HBO's Dune: Prophecy: Editors Amelia Allwarden & Anna Hauger
The Best Christmas Pageant Ever: Editor John Quinn, ACE
Little Black Book
Lucky Day – The Boutique Post House With a National Perspective and a Human Touch
Broadcast Now UK
Why I believe remote working is the future of post-production
Don't Move: Editor Josh Ethier, ACE, cuts Netflix's new horror feature
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Apple TV+'s Silo: Editor Keith Henderson
Shogun: Editors Maria Gonzales & Aika Miyake
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
The Hollywood Reporter
Making of ‘C’mon C’mon’: How Fatherhood (and Wim Wenders) Inspired Director Mike Mills
Outlook: The evolution of remote collaboration
Filmmaker Magazine
“What Does ‘Quiet’ Sound Like When You’re Trying to Express the Correct Emotion?”: Editor Michael Block on Watcher
Broadway World
Marvel's Eric Litman on His New Show, "THE HOT ZONE: ANTHRAX"
CG Lab
6 UNDERGROUND: RICHARD HOOVER – OVERALL VFX SUPERVISOR – NETFLIX
Editor Kelly Lyon cuts Amazon's "Yearly Departed"
Decider
‘9-1-1 Lone Star’ Showrunner Tim Minear Refuses To Let A Pandemic Prevent Him From Upping The Ante On Action-Packed Tragedy
Filmmaker Profile: Craig Brewer Reunites with Eddie Murphy for Coming 2 America
The Wrap
‘Mank,’ ‘News of the World,’ ‘Sound of Metal’ Top Cinema Audio Society Nominations
Optimize Yourself
Evercast vs. Zoom – Why the New Evercast Proves the Choice is Clear For Remote Collaboration [Evercast Review]
Production HUB
"YEARLY DEPARTED" EDITOR KELLY LYON ON WORKING REMOTELY & GREEN SCREEN-HEAVY PROCESS
Randi Altman’s Post Perspective
Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer
Making of 'News of the World': How the Tom Hanks Western Is "Speaking to Now"
Phoenix Business Journal
Entrepreneur: Scottsdale tech company Evercast found its sweet spot amid pandemic
Observer
Karen Cinorre Knew Her Film ‘Mayday’ Had to Be a War of the Sexes
"Behind the Title: VFX Producer Roma O’Connor "
TV Technology
Taking the Hybrid Approach to Remote Post Production and Audio Design
Evercast, Capture Studios Team on Virtual Production
AV Magazine
Continuity and invention in a crisis
IBC
Grading and Audio Post In the Cloud
The Irish Times
All quiet on set: How do you make a TV drama in a crisis?
Post-Production Is Thriving Thanks to Technology; Will the Remote Workforce Grow After the Pandemic Subsides?
Animation Xpress
We Responded Early to Deal with COVID-19
Posting Michael Jordan's The Last Dance - before and during lockdown
Vulture
Michael Mann Is Talking to Directors, Wondering When They Can All Go Back to Work
Hecho Studios: Mobilizing talent and pipeline to keep working
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
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