Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
The Hollywood Reporter
Making of ‘C’mon C’mon’: How Fatherhood (and Wim Wenders) Inspired Director Mike Mills
Outlook: The evolution of remote collaboration
Filmmaker Magazine
“What Does ‘Quiet’ Sound Like When You’re Trying to Express the Correct Emotion?”: Editor Michael Block on Watcher
Broadway World
Marvel's Eric Litman on His New Show, "THE HOT ZONE: ANTHRAX"
CG Lab
6 UNDERGROUND: RICHARD HOOVER – OVERALL VFX SUPERVISOR – NETFLIX
Editor Kelly Lyon cuts Amazon's "Yearly Departed"
Decider
‘9-1-1 Lone Star’ Showrunner Tim Minear Refuses To Let A Pandemic Prevent Him From Upping The Ante On Action-Packed Tragedy
CineMontage
Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit
Cinema Express
Chris McKay: Always wanted to blend human drama and sci-fi like Spielberg
Script
Sitting Around the Campfire with 'Werewolves Within' Screenwriter Mishna Wolff and Director Josh Ruben
Randi Altman’s Post Perspective
The Stand Showrunner Ben Cavell, Plus Post and VFX Producers
Cruella Director Craig Gillespie Talks Post and Visual Effects
Contender Profile: Composer Trevor Gureckis’ Music for Servant Keeps the Viewer on Edge
Visual Effects & Animation: Resident Alien and Raya
Color Grading: Company 3 and Studio Feather
Detroit’s Hiatus Adds Editor Joe Kell
Heroes of the Lockdown
Deadline
Engineering Emmys: Tech That Addressed Remote Production Among 2020 Winners
The Daily Brief
Fox Sports Courts Fans with Jam-Packed Nascar Campaign
Screen Daily
My Screen Life: Mira Nair on enjoying yoga, cooking dinner and a walk in New York at the end of the working day
Women All Stars Power The Immorals of The Old Guard
Animation Editors Weigh Pros and Cons of Working From Home
Variety
Women in Film Turns Gala Challenge Into 'Make It Work' CW Special
Vulture
The Mask of Zorro's Martin Campbell on the Secret to Making a Great Romantic Action Epic
Reopening Hollywood: Michael Mann On Resuming Ansel Elgort-Ken Watanabe HBO Max Drama 'Tokyo Vice'; And What About That 'Heat' Prequel?
Winners: 72nd Engineering Emmy Awards
Engineering Emmys Recognize Remote Working Technology Amid COVID-19 Era
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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