Read all the buzz about Evercast in the news.
Variety
MovieLabs Launches Leadership Council with Leon Silverman as Chair
AwardsRadar.com
Interview: ‘Dope Thief’ Editor (and Philly Native) Eric Litman, ACE Can Attest to the New Series’ Authenticity
Scriptnotes
Scriptnotes, Episode 678: The On-Set Producer
Post Magazine
Editor Corey Frost makes jump from sports documentaries to scripted entertainment
postPerspective
A Complete Unknown Editors on Workflow and Collaboration
Apple TV on YouTube
Wicked Director Jon M. Chu Makes Movie Magic with Apple Vision Pro | Apple TV
HBO's Dune: Prophecy: Editors Amelia Allwarden & Anna Hauger
The Best Christmas Pageant Ever: Editor John Quinn, ACE
Little Black Book
Lucky Day – The Boutique Post House With a National Perspective and a Human Touch
Broadcast Now UK
Why I believe remote working is the future of post-production
Don't Move: Editor Josh Ethier, ACE, cuts Netflix's new horror feature
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Apple TV+'s Silo: Editor Keith Henderson
Shogun: Editors Maria Gonzales & Aika Miyake
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
The Hollywood Reporter
Making of ‘C’mon C’mon’: How Fatherhood (and Wim Wenders) Inspired Director Mike Mills
Outlook: The evolution of remote collaboration
Filmmaker Magazine
“What Does ‘Quiet’ Sound Like When You’re Trying to Express the Correct Emotion?”: Editor Michael Block on Watcher
Broadway World
Marvel's Eric Litman on His New Show, "THE HOT ZONE: ANTHRAX"
CG Lab
6 UNDERGROUND: RICHARD HOOVER – OVERALL VFX SUPERVISOR – NETFLIX
Editor Kelly Lyon cuts Amazon's "Yearly Departed"
Decider
‘9-1-1 Lone Star’ Showrunner Tim Minear Refuses To Let A Pandemic Prevent Him From Upping The Ante On Action-Packed Tragedy
CineMontage
WHAT OUR MEMBERS DO: Kim Huston, Visual Effects Editor
Animation World Network
A Trio Bands Together to Help Denis Villeneuve Make ‘Dune’
Randi Altman’s Post Perspective
Editor Tom Eagles on Cutting "The Harder They Fall"
Website Planet
Evercast – Brings Your Creative Vision to Life
Annette Davey on editing Netflix's Maid
Benjamin Rodriguez Talks Editing Paul Schrader’s ‘The Card Counter’
EFFECTS ACCENT THE ACTION IN A PRE-BATMAN WORLD IN LONDON CREATED FOR PENNYWORTH
Post-production uncovered: Blazing Griffin, Goodbye Kansas, and Savalas on Vigil (BBC)
Entertainment Voice
Chris Pratt and Director Chris McKay on Tackling Time-Jumping Sci-Fi Action for ‘The Tomorrow War’
Cruella Editor Tatiana Riegel: Workflows During Covid
TV Technology
Taking the Hybrid Approach to Remote Post Production and Audio Design
Evercast, Capture Studios Team on Virtual Production
AV Magazine
Continuity and invention in a crisis
IBC
Grading and Audio Post In the Cloud
The Irish Times
All quiet on set: How do you make a TV drama in a crisis?
Post-Production Is Thriving Thanks to Technology; Will the Remote Workforce Grow After the Pandemic Subsides?
Animation Xpress
We Responded Early to Deal with COVID-19
Posting Michael Jordan's The Last Dance - before and during lockdown
Vulture
Michael Mann Is Talking to Directors, Wondering When They Can All Go Back to Work
Hecho Studios: Mobilizing talent and pipeline to keep working
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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