Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Geekwire
5 takeaways from SXSW 2022: Web3, holograms, spatial audio, social justice, and tacos
Behind the Glass
Changing the Way the Industry Operates
Randi Altman’s Post Perspective
Virtual Roundtable: Remote Collaboration
R/GA Studios' Margo Lowry Discusses Pandemic's Impact On Production
Film Daily
Emmy winning collaboration platform Evercast illustrates evolving work trends
CineMontage
TECHNOLOGY: How Remote Workflow Has Revolutionized Post-Production
WeCrashed Showrunners and Post Supervisor Talk Workflow
Script
Adaptive Documentary Filmmaking with 'Move Me' Filmmaker Kelsey Peterson
Nightmare Alley editor Cam McLauchlin
Sundance: Seth Anderson Editor Of "Tiktok Boom" On Editor Collaboration + Working With Premiere Pro
The Wrap
‘Mank,’ ‘News of the World,’ ‘Sound of Metal’ Top Cinema Audio Society Nominations
Filmmaker Profile: Craig Brewer Reunites with Eddie Murphy for Coming 2 America
Optimize Yourself
Evercast vs. Zoom – Why the New Evercast Proves the Choice is Clear For Remote Collaboration [Evercast Review]
"YEARLY DEPARTED" EDITOR KELLY LYON ON WORKING REMOTELY & GREEN SCREEN-HEAVY PROCESS
Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer
The Hollywood Reporter
Making of 'News of the World': How the Tom Hanks Western Is "Speaking to Now"
Phoenix Business Journal
Entrepreneur: Scottsdale tech company Evercast found its sweet spot amid pandemic
Observer
Karen Cinorre Knew Her Film ‘Mayday’ Had to Be a War of the Sexes
"Behind the Title: VFX Producer Roma O’Connor "
Outlook: Technology is redefining how we create
Computer Graphics World
Virtual Studio in the Cloud, Simplified
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Outlook: Keeping the humanity in a tech-driven post world
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Engineering Emmy Recipients Include 4 Companies For Addressing Issues Related To COVID-19
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
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