Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Geekwire
5 takeaways from SXSW 2022: Web3, holograms, spatial audio, social justice, and tacos
Behind the Glass
Changing the Way the Industry Operates
Randi Altman’s Post Perspective
Virtual Roundtable: Remote Collaboration
R/GA Studios' Margo Lowry Discusses Pandemic's Impact On Production
Film Daily
Emmy winning collaboration platform Evercast illustrates evolving work trends
CineMontage
TECHNOLOGY: How Remote Workflow Has Revolutionized Post-Production
WeCrashed Showrunners and Post Supervisor Talk Workflow
Script
Adaptive Documentary Filmmaking with 'Move Me' Filmmaker Kelsey Peterson
Nightmare Alley editor Cam McLauchlin
Sundance: Seth Anderson Editor Of "Tiktok Boom" On Editor Collaboration + Working With Premiere Pro
Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit
Cinema Express
Chris McKay: Always wanted to blend human drama and sci-fi like Spielberg
Sitting Around the Campfire with 'Werewolves Within' Screenwriter Mishna Wolff and Director Josh Ruben
The Stand Showrunner Ben Cavell, Plus Post and VFX Producers
Cruella Director Craig Gillespie Talks Post and Visual Effects
Contender Profile: Composer Trevor Gureckis’ Music for Servant Keeps the Viewer on Edge
Visual Effects & Animation: Resident Alien and Raya
Color Grading: Company 3 and Studio Feather
Detroit’s Hiatus Adds Editor Joe Kell
Heroes of the Lockdown
Sports Video Group
One World Concert Production Team Takes At-Home Efforts to New Heights
Deadline
Post-Production Industry Fears Work Will Dry Up During Shutdown, Ponders A Remote Editing Future
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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