Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Art of the Cut
Billy Fox, ACE, on editing in Premiere, working remotely with his asst. editor, and why monitor placement for Evercast made it feel like he was in the room with his director
Geekwire
5 takeaways from SXSW 2022: Web3, holograms, spatial audio, social justice, and tacos
Behind the Glass
Changing the Way the Industry Operates
Randi Altman’s Post Perspective
Virtual Roundtable: Remote Collaboration
Shoot Online
R/GA Studios' Margo Lowry Discusses Pandemic's Impact On Production
Film Daily
Emmy winning collaboration platform Evercast illustrates evolving work trends
CineMontage
TECHNOLOGY: How Remote Workflow Has Revolutionized Post-Production
WeCrashed Showrunners and Post Supervisor Talk Workflow
Script
Adaptive Documentary Filmmaking with 'Move Me' Filmmaker Kelsey Peterson
Nightmare Alley editor Cam McLauchlin
Sundance: Seth Anderson Editor Of "Tiktok Boom" On Editor Collaboration + Working With Premiere Pro
WHAT OUR MEMBERS DO: Kim Huston, Visual Effects Editor
Animation World Network
A Trio Bands Together to Help Denis Villeneuve Make ‘Dune’
Editor Tom Eagles on Cutting "The Harder They Fall"
Website Planet
Evercast – Brings Your Creative Vision to Life
Annette Davey on editing Netflix's Maid
Benjamin Rodriguez Talks Editing Paul Schrader’s ‘The Card Counter’
VFX Voice Magazine
EFFECTS ACCENT THE ACTION IN A PRE-BATMAN WORLD IN LONDON CREATED FOR PENNYWORTH
Broadcast Now UK
Post-production uncovered: Blazing Griffin, Goodbye Kansas, and Savalas on Vigil (BBC)
Entertainment Voice
Chris Pratt and Director Chris McKay on Tackling Time-Jumping Sci-Fi Action for ‘The Tomorrow War’
Cruella Editor Tatiana Riegel: Workflows During Covid
Outlook: Technology is redefining how we create
Computer Graphics World
Virtual Studio in the Cloud, Simplified
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Outlook: Keeping the humanity in a tech-driven post world
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Below the Line
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Engineering Emmy Recipients Include 4 Companies For Addressing Issues Related To COVID-19
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
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