Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Below the Line
A Small Light Editor Susan E. Kim On Experimenting and Handling Performances With Care
The Rough Cut
Mission: Impossible – Dead Reckoning Part 1
Brian Riordan, Phil DeTolve from Levels Audio on Mixing Bono and the Edge
Flamin’ Hot Director Eva Longoria, DP and Editor Talk Process
BleedingCool
HouseBroken AP Weston Jacoby Discusses Fox Series Development & More
Master Gardener Editor Benjamin Rodriguez Jr. on Working With a Rebel Like Paul Schrader
HPA Online
HPA NET Event Explores Trends in AI with Industry Experts
Content Delivery & Security Association
Convergent Risks Helps Evercast Achieve TPN Gold Shield for Cloud Security
National Association of Broadcasters
NAB Show Announces Winners of the 2023 Product of the Year Award
Camp Lucky Edits Toyota Motorsports Campaign Promoting Diversity
Geekwire
5 takeaways from SXSW 2022: Web3, holograms, spatial audio, social justice, and tacos
Behind the Glass
Changing the Way the Industry Operates
Randi Altman’s Post Perspective
Virtual Roundtable: Remote Collaboration
Shoot Online
R/GA Studios' Margo Lowry Discusses Pandemic's Impact On Production
Film Daily
Emmy winning collaboration platform Evercast illustrates evolving work trends
CineMontage
TECHNOLOGY: How Remote Workflow Has Revolutionized Post-Production
WeCrashed Showrunners and Post Supervisor Talk Workflow
Script
Adaptive Documentary Filmmaking with 'Move Me' Filmmaker Kelsey Peterson
Nightmare Alley editor Cam McLauchlin
Sundance: Seth Anderson Editor Of "Tiktok Boom" On Editor Collaboration + Working With Premiere Pro
Indie Wire
CAS Sound Mixing Nominations Include ‘Sound of Metal,’ ‘Mank,’ ‘News of the World’
Craft Spotlight: Matt Kasmir on the VFX for George Clooney’s The Midnight Sky
Animation Magazine
Super-Powered and Sophisticated: Robert Kirkman’s ‘Invincible’ Hits Amazon Prime
The Hollywood Reporter
Sound of Metal' Tops CAS Sound Mixing Awards
Parenting, Post-Production and the Pandemic
"Remote Editing: Evercast Intros App for iOS and Apple TV"
Advanced Imaging Society Announces Tech Award Recipients
Filmmakers Around the World Team on Cloud Production Test: "It's Part of Our Future"
Screen Rant
Evercast Co-Founder & Film Editor Roger Barton Interview
testset
Film: ‘Coming 2 America’ – Interview with Composer Jermaine Stegall
Outlook: Technology is redefining how we create
Computer Graphics World
Virtual Studio in the Cloud, Simplified
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Outlook: Keeping the humanity in a tech-driven post world
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Engineering Emmy Recipients Include 4 Companies For Addressing Issues Related To COVID-19
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
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