Read all the buzz about Evercast in the news.
postPerspective
A Complete Unknown Editors on Workflow and Collaboration
Apple TV on YouTube
Wicked Director Jon M. Chu Makes Movie Magic with Apple Vision Pro | Apple TV
Post Magazine
HBO's Dune: Prophecy: Editors Amelia Allwarden & Anna Hauger
The Best Christmas Pageant Ever: Editor John Quinn, ACE
Little Black Book
Lucky Day – The Boutique Post House With a National Perspective and a Human Touch
Broadcast Now UK
Why I believe remote working is the future of post-production
Don't Move: Editor Josh Ethier, ACE, cuts Netflix's new horror feature
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Apple TV+'s Silo: Editor Keith Henderson
Shogun: Editors Maria Gonzales & Aika Miyake
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Production HUB
Editor Felipe Salazar On Using Premiere Pro On Netflix’s 'Human Resources'
The Joe Rogan Experience
#1836 The Origins of Beavis and Butthead w/Mike Judge
Blackmagic Design
Evercast Supports Remote Color Review with Blackmagic Design
Art of the Cut
Jurassic World Dominion with Oscar-winner Mark Sanger, ACE
Jurassic World Dominion Director Talks Dinosaur VFX and Workflow
The Beat
Tips for Editing an Animated Series with Big Mouth’s Felipe Salazar
Director's Chair: Shining Girls showrunner Silka Luisa
Vents Magazine
Meet the Editor Behind “The Hot Zone: Anthrax”
ComingSoon
Spotlight Interview: Meet the Editing Team of A Black Lady Sketch Show
Evercast teams with Mach1 to help transform remote surround sound mixing review
CineMontage
Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit
Cinema Express
Chris McKay: Always wanted to blend human drama and sci-fi like Spielberg
Script
Sitting Around the Campfire with 'Werewolves Within' Screenwriter Mishna Wolff and Director Josh Ruben
Randi Altman’s Post Perspective
The Stand Showrunner Ben Cavell, Plus Post and VFX Producers
Cruella Director Craig Gillespie Talks Post and Visual Effects
Contender Profile: Composer Trevor Gureckis’ Music for Servant Keeps the Viewer on Edge
Color Grading: Company 3 and Studio Feather
Visual Effects & Animation: Resident Alien and Raya
Heroes of the Lockdown
Detroit’s Hiatus Adds Editor Joe Kell
Sports Video Group
One World Concert Production Team Takes At-Home Efforts to New Heights
Deadline
Post-Production Industry Fears Work Will Dry Up During Shutdown, Ponders A Remote Editing Future
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
