Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
The Joe Rogan Experience
#1836 The Origins of Beavis and Butthead w/Mike Judge
Editor Felipe Salazar On Using Premiere Pro On Netflix’s 'Human Resources'
Awards Focus
Editor Eric Litman’s Journey in to The Hot Zone: Anthrax
Art of the Cut
Jurassic World Dominion with Oscar-winner Mark Sanger, ACE
Jurassic World Dominion Director Talks Dinosaur VFX and Workflow
Director's Chair: Shining Girls showrunner Silka Luisa
The Beat
Tips for Editing an Animated Series with Big Mouth’s Felipe Salazar
Vents Magazine
Meet the Editor Behind “The Hot Zone: Anthrax”
ComingSoon
Spotlight Interview: Meet the Editing Team of A Black Lady Sketch Show
Evercast teams with Mach1 to help transform remote surround sound mixing review
CineMontage
WHAT OUR MEMBERS DO: Kim Huston, Visual Effects Editor
Animation World Network
A Trio Bands Together to Help Denis Villeneuve Make ‘Dune’
Randi Altman’s Post Perspective
Editor Tom Eagles on Cutting "The Harder They Fall"
Website Planet
Evercast – Brings Your Creative Vision to Life
Annette Davey on editing Netflix's Maid
Benjamin Rodriguez Talks Editing Paul Schrader’s ‘The Card Counter’
EFFECTS ACCENT THE ACTION IN A PRE-BATMAN WORLD IN LONDON CREATED FOR PENNYWORTH
Broadcast Now UK
Post-production uncovered: Blazing Griffin, Goodbye Kansas, and Savalas on Vigil (BBC)
Entertainment Voice
Chris Pratt and Director Chris McKay on Tackling Time-Jumping Sci-Fi Action for ‘The Tomorrow War’
Cruella Editor Tatiana Riegel: Workflows During Covid
Deadline
Engineering Emmys: Tech That Addressed Remote Production Among 2020 Winners
The Daily Brief
Fox Sports Courts Fans with Jam-Packed Nascar Campaign
Screen Daily
My Screen Life: Mira Nair on enjoying yoga, cooking dinner and a walk in New York at the end of the working day
Women All Stars Power The Immorals of The Old Guard
The Hollywood Reporter
Animation Editors Weigh Pros and Cons of Working From Home
Variety
Women in Film Turns Gala Challenge Into 'Make It Work' CW Special
Vulture
The Mask of Zorro's Martin Campbell on the Secret to Making a Great Romantic Action Epic
Reopening Hollywood: Michael Mann On Resuming Ansel Elgort-Ken Watanabe HBO Max Drama 'Tokyo Vice'; And What About That 'Heat' Prequel?
Winners: 72nd Engineering Emmy Awards
Engineering Emmys Recognize Remote Working Technology Amid COVID-19 Era
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
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