Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Below the Line
A Small Light Editor Susan E. Kim On Experimenting and Handling Performances With Care
The Rough Cut
Mission: Impossible – Dead Reckoning Part 1
Brian Riordan, Phil DeTolve from Levels Audio on Mixing Bono and the Edge
Flamin’ Hot Director Eva Longoria, DP and Editor Talk Process
BleedingCool
HouseBroken AP Weston Jacoby Discusses Fox Series Development & More
Master Gardener Editor Benjamin Rodriguez Jr. on Working With a Rebel Like Paul Schrader
HPA Online
HPA NET Event Explores Trends in AI with Industry Experts
Content Delivery & Security Association
Convergent Risks Helps Evercast Achieve TPN Gold Shield for Cloud Security
National Association of Broadcasters
NAB Show Announces Winners of the 2023 Product of the Year Award
Camp Lucky Edits Toyota Motorsports Campaign Promoting Diversity
The Joe Rogan Experience
#1836 The Origins of Beavis and Butthead w/Mike Judge
Editor Felipe Salazar On Using Premiere Pro On Netflix’s 'Human Resources'
Awards Focus
Editor Eric Litman’s Journey in to The Hot Zone: Anthrax
Art of the Cut
Jurassic World Dominion with Oscar-winner Mark Sanger, ACE
Jurassic World Dominion Director Talks Dinosaur VFX and Workflow
Director's Chair: Shining Girls showrunner Silka Luisa
The Beat
Tips for Editing an Animated Series with Big Mouth’s Felipe Salazar
Vents Magazine
Meet the Editor Behind “The Hot Zone: Anthrax”
ComingSoon
Spotlight Interview: Meet the Editing Team of A Black Lady Sketch Show
Shoot Online
Evercast teams with Mach1 to help transform remote surround sound mixing review
Variety
10 Entertainment Tech Innovators to Watch Create Solutions on Global Scale
Fast Company
The 10 most innovative companies in video
Howard Stern
Ben Affleck Opens Up About Nearly Losing His Career And How He Made His Big Comeback
The A24 Podcast
This Odd Situation with Mike Mills & David Byrne
Entrepreneur
4 Work Models that Will Define the Post-Pandemic World
Randi Altman’s Post Perspective
Virtual Roundtable: Editing
Art of VFX
Red Notice: Richard Hoover – Overall VFX Supervisor
Animation Magazine
Caitlin VanArsdale on Directing Sony’s New “Mitchells’ Short ‘Dog Cop 7’
Director Mike Mills Talks C’mon C’mon’s Editing and Post
Screen Rant
Lorne Balfe Interview: The Wheel of Time
Sports Video Group
One World Concert Production Team Takes At-Home Efforts to New Heights
Deadline
Post-Production Industry Fears Work Will Dry Up During Shutdown, Ponders A Remote Editing Future
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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