Read all the buzz about Evercast in the news.
postPerspective
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Post Magazine
Apple TV+'s Silo: Editor Keith Henderson
Thelma the Unicorn: Co-director Lynn Wang
Shogun: Editors Maria Gonzales & Aika Miyake
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Art of the Cut
Avatar: The Way of Water
American Murderer’s Director and Editor Talk Through Workflow
How 'Devotion' Editor Listens to His Gut Through the Action and the Drama
The Dropout: Emmy-Nominated Director Michael Showalter
ART OF THE CUT with Nicholas Monsour, the editor of "NOPE"
Behind the Title: Editor Sandra Montiel, ACE
Forbes
Netflix’s Super Giant Real Time Animation Allows For Discovery And Play
Director Antoine Fuqua on The Terminal List‘s Editing and VFX
Dopesick Showrunner Danny Strong on Post and Workflow
Blackmagic Design
Evercast Supports Remote Color Review with Blackmagic Design
Indie Wire
CAS Sound Mixing Nominations Include ‘Sound of Metal,’ ‘Mank,’ ‘News of the World’
Craft Spotlight: Matt Kasmir on the VFX for George Clooney’s The Midnight Sky
Animation Magazine
Super-Powered and Sophisticated: Robert Kirkman’s ‘Invincible’ Hits Amazon Prime
The Hollywood Reporter
Sound of Metal' Tops CAS Sound Mixing Awards
CineMontage
Parenting, Post-Production and the Pandemic
Randi Altman’s Post Perspective
"Remote Editing: Evercast Intros App for iOS and Apple TV"
Advanced Imaging Society Announces Tech Award Recipients
Filmmakers Around the World Team on Cloud Production Test: "It's Part of Our Future"
Screen Rant
Evercast Co-Founder & Film Editor Roger Barton Interview
testset
Film: ‘Coming 2 America’ – Interview with Composer Jermaine Stegall
Outlook: Technology is redefining how we create
Computer Graphics World
Virtual Studio in the Cloud, Simplified
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Outlook: Keeping the humanity in a tech-driven post world
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Engineering Emmy Recipients Include 4 Companies For Addressing Issues Related To COVID-19
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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