Read all the buzz about Evercast in the news.
postPerspective
A Complete Unknown Editors on Workflow and Collaboration
Apple TV on YouTube
Wicked Director Jon M. Chu Makes Movie Magic with Apple Vision Pro | Apple TV
Post Magazine
Thelma the Unicorn: Co-director Lynn Wang
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
The Holdovers Oscar-Nominated Kevin Tent Talks Editing Workflow
Art of the Cut
Billy Fox, ACE, on editing in Premiere, working remotely with his asst. editor, and why monitor placement for Evercast made it feel like he was in the room with his director
Avatar: The Way of Water
American Murderer’s Director and Editor Talk Through Workflow
No Film School
How 'Devotion' Editor Listens to His Gut Through the Action and the Drama
The Dropout: Emmy-Nominated Director Michael Showalter
Behind the Title: Editor Sandra Montiel, ACE
ART OF THE CUT with Nicholas Monsour, the editor of "NOPE"
Forbes
Netflix’s Super Giant Real Time Animation Allows For Discovery And Play
Director Antoine Fuqua on The Terminal List‘s Editing and VFX
Dopesick Showrunner Danny Strong on Post and Workflow
Awards Focus
Editor Eric Litman’s Journey in to The Hot Zone: Anthrax
Below the Line
Filmmaker Profile: Craig Brewer Reunites with Eddie Murphy for Coming 2 America
The Wrap
‘Mank,’ ‘News of the World,’ ‘Sound of Metal’ Top Cinema Audio Society Nominations
Optimize Yourself
Evercast vs. Zoom – Why the New Evercast Proves the Choice is Clear For Remote Collaboration [Evercast Review]
"YEARLY DEPARTED" EDITOR KELLY LYON ON WORKING REMOTELY & GREEN SCREEN-HEAVY PROCESS
Randi Altman’s Post Perspective
Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer
The Hollywood Reporter
Making of 'News of the World': How the Tom Hanks Western Is "Speaking to Now"
Phoenix Business Journal
Entrepreneur: Scottsdale tech company Evercast found its sweet spot amid pandemic
Observer
Karen Cinorre Knew Her Film ‘Mayday’ Had to Be a War of the Sexes
"Behind the Title: VFX Producer Roma O’Connor "
Outlook: Technology is redefining how we create
Outlook: Keeping the humanity in a tech-driven post world
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Computer Graphics World
Virtual Studio in the Cloud, Simplified
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Deadline
Engineering Emmys: Tech That Addressed Remote Production Among 2020 Winners
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
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