Read all the buzz about Evercast in the news.
postPerspective
A Complete Unknown Editors on Workflow and Collaboration
Apple TV on YouTube
Wicked Director Jon M. Chu Makes Movie Magic with Apple Vision Pro | Apple TV
Post Magazine
Thelma the Unicorn: Co-director Lynn Wang
Scriptnotes
Episode 646 - Industry Software
Digital Samba
Januscon 10 (2024): A Recap of Innovations and Highlights
Production HUB
How SXSW Select 'The Queen of My Dreams' Editor Incorporated Bollywood Themes
Death And Other Details: Editor Franzis Müller
The Holdovers Oscar-Nominated Kevin Tent Talks Editing Workflow
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
Little Black Book
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Editor Felipe Salazar On Using Premiere Pro On Netflix’s 'Human Resources'
The Joe Rogan Experience
#1836 The Origins of Beavis and Butthead w/Mike Judge
Blackmagic Design
Evercast Supports Remote Color Review with Blackmagic Design
Art of the Cut
Jurassic World Dominion with Oscar-winner Mark Sanger, ACE
Jurassic World Dominion Director Talks Dinosaur VFX and Workflow
The Beat
Tips for Editing an Animated Series with Big Mouth’s Felipe Salazar
Director's Chair: Shining Girls showrunner Silka Luisa
Vents Magazine
Meet the Editor Behind “The Hot Zone: Anthrax”
ComingSoon
Spotlight Interview: Meet the Editing Team of A Black Lady Sketch Show
Evercast teams with Mach1 to help transform remote surround sound mixing review
Filmmaker Profile: Craig Brewer Reunites with Eddie Murphy for Coming 2 America
The Wrap
‘Mank,’ ‘News of the World,’ ‘Sound of Metal’ Top Cinema Audio Society Nominations
Optimize Yourself
Evercast vs. Zoom – Why the New Evercast Proves the Choice is Clear For Remote Collaboration [Evercast Review]
"YEARLY DEPARTED" EDITOR KELLY LYON ON WORKING REMOTELY & GREEN SCREEN-HEAVY PROCESS
Randi Altman’s Post Perspective
Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer
The Hollywood Reporter
Making of 'News of the World': How the Tom Hanks Western Is "Speaking to Now"
Phoenix Business Journal
Entrepreneur: Scottsdale tech company Evercast found its sweet spot amid pandemic
Observer
Karen Cinorre Knew Her Film ‘Mayday’ Had to Be a War of the Sexes
"Behind the Title: VFX Producer Roma O’Connor "
Outlook: Technology is redefining how we create
Outlook: Keeping the humanity in a tech-driven post world
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Computer Graphics World
Virtual Studio in the Cloud, Simplified
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Deadline
Engineering Emmys: Tech That Addressed Remote Production Among 2020 Winners
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
No Film School
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
We welcome any opportunities to spread the word about Evercast.
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