Read all the buzz about Evercast in the news.
postPerspective
A Complete Unknown Editors on Workflow and Collaboration
Apple TV on YouTube
Wicked Director Jon M. Chu Makes Movie Magic with Apple Vision Pro | Apple TV
Post Magazine
HBO's Dune: Prophecy: Editors Amelia Allwarden & Anna Hauger
The Best Christmas Pageant Ever: Editor John Quinn, ACE
Little Black Book
Lucky Day – The Boutique Post House With a National Perspective and a Human Touch
Broadcast Now UK
Why I believe remote working is the future of post-production
Don't Move: Editor Josh Ethier, ACE, cuts Netflix's new horror feature
The Lincoln Lawyer‘s Ted Humphrey on Showrunning and Post
No Film School
Cut for the Laugh With Double Emmy-Nominated Editor Kelly Lyon
Editing the Past and Present for Apple TV+ Series Sugar
Apple TV+'s Silo: Editor Keith Henderson
Shogun: Editors Maria Gonzales & Aika Miyake
Below the Line
Triple Emmy Nominee Stephanie Filo Is Making History
Shoot Online
Edit Room Conductor: Michelle Tesoro Takes On "Maestro"
draftLine ‘Touches the Earth’ in New Vatgerijpt Campaign for Hertog Jan
BorisFX
Emmy Nominated Editors Give Thanks, Part I
VFX Voice Magazine
Tapping Into the True Grit of the Equalizer 3
Newsweek
The 21 Best Digital Nomad Jobs
Behind the Title: Bruton Stroube Outpost’s Jazzy Kettenacker
Weird: Inside the Emmy-nominated soundtrack
Emmys: Editing The Daily Show With Trevor Noah
Mission: Impossible — Dead Reckoning Part One editor Eddie Hamilton
Production HUB
Editor Felipe Salazar On Using Premiere Pro On Netflix’s 'Human Resources'
The Joe Rogan Experience
#1836 The Origins of Beavis and Butthead w/Mike Judge
Blackmagic Design
Evercast Supports Remote Color Review with Blackmagic Design
Art of the Cut
Jurassic World Dominion with Oscar-winner Mark Sanger, ACE
Jurassic World Dominion Director Talks Dinosaur VFX and Workflow
The Beat
Tips for Editing an Animated Series with Big Mouth’s Felipe Salazar
Director's Chair: Shining Girls showrunner Silka Luisa
Vents Magazine
Meet the Editor Behind “The Hot Zone: Anthrax”
ComingSoon
Spotlight Interview: Meet the Editing Team of A Black Lady Sketch Show
Evercast teams with Mach1 to help transform remote surround sound mixing review
Filmmaker Profile: Craig Brewer Reunites with Eddie Murphy for Coming 2 America
The Wrap
‘Mank,’ ‘News of the World,’ ‘Sound of Metal’ Top Cinema Audio Society Nominations
Optimize Yourself
Evercast vs. Zoom – Why the New Evercast Proves the Choice is Clear For Remote Collaboration [Evercast Review]
"YEARLY DEPARTED" EDITOR KELLY LYON ON WORKING REMOTELY & GREEN SCREEN-HEAVY PROCESS
Randi Altman’s Post Perspective
Editor Geoffrey Richman Talks Workflow on Apple TV Film Palmer
The Hollywood Reporter
Making of 'News of the World': How the Tom Hanks Western Is "Speaking to Now"
Phoenix Business Journal
Entrepreneur: Scottsdale tech company Evercast found its sweet spot amid pandemic
Observer
Karen Cinorre Knew Her Film ‘Mayday’ Had to Be a War of the Sexes
"Behind the Title: VFX Producer Roma O’Connor "
Outlook: Technology is redefining how we create
Outlook: Keeping the humanity in a tech-driven post world
IBC
BEHIND THE SCENES: NEWS OF THE WORLD
Computer Graphics World
Virtual Studio in the Cloud, Simplified
The Hindu
Remote filmmaking: how film sets operate now
Sony Cine
Post in a Pandemic: How the Team From “What We Do in the Shadows” Evolved
Variety
Tech Steps Up Game in British Columbia
Crafts Spotlight: The Queen's Gambit Editor Michelle Tesoro, ACE
TV Technology
2020 Engineering Emmy Award Winners Announced
Deadline
Engineering Emmys: Tech That Addressed Remote Production Among 2020 Winners
Red Shark
Can you edit a landmark television series from home? Yes you can, and here's how
Pro Video Coalition
ART OF THE CUT with feature film editor, Roger Barton
Evercast Livestreams Any Post-Production Workflow to Creatives Around the World
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